אֲשִׁישָׁה
something closely pressed together, i.e. a cake of raisins or other comfits
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something closely pressed together, i.e. a cake of raisins or other comfits
אֲשִׁישָׁה(ʼăshîyshâh)
Strong’s Definition
something closely pressed together, i.e. a cake of raisins or other comfits
feminine of H808 (אָשִׁישׁ);
“And he dealt among all the people, even among the whole multitude of Israel, as well to the women as men, to every one a cake of bread, and a good piece of flesh, and a flagon of wine. So all the people departed every one to his house.”
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The Sweet Pressing of the Beloved
There is a word in the Hebrew tongue that sounds like the breath of a lover, a word that carries the weight of pressing and the sweetness of release. The word is *ashishah*, a feminine noun from the root *ashash*, meaning to press together, to squeeze, to make compact. Four times this word appears in the Tanakh, each occurrence a whisper from the vineyards of Israel. The sages teach that when a thing is pressed, it yields what it holds most precious. So it is with this word — a cake of raisins, a flagon of wine, a gift of pressed sweetness for the journey of the soul. The Strong’s definition speaks of something closely pressed together, and the KJV translators rendered it as “flagon.” But the word is far richer than a vessel; it is the very substance of joy, the fruit of the vine concentrated into a morsel of love.
The Root of Pressing
The paleo-Hebrew letters of *ashishah* tell a story of their own. The first letter, aleph, is the ox — strength, leadership, the first breath. The second letter, shin, is the tooth — consuming, pressing, transforming. The third letter, yod, is the hand — the work of creation, the deed of giving. The fourth letter, shin again, repeats the pressing. And the final letter, heh, is the window — the breath of revelation. Together, the letters whisper: the strong hand presses and consumes, and through the window of heaven, sweetness is revealed. The derivation from H808, *ashish*, meaning a cake of pressed raisins, connects this word to the labor of the harvest. In the Temple, the first fruits were brought with songs of joy, and the pressing of the grape and the raisin was a sacred act. The rabbis of old observed that the number four — the count of this word’s appearances — represents the four corners of the earth, the four matriarchs, the four cups of Passover. Every pressing is for a purpose, and every sweetness is born of pressure.
The First Taste in the Song of the Beloved
The first occurrence of *ashishah* appears in the Song of Songs, that holy scroll of love between the Shulamite and her king. In Song of Songs 2:5, the beloved cries out, “Stay me with flagons (*ashishot*), comfort me with apples, for I am sick with love.” Here the word is not merely a cake of raisins; it is the sustenance of a heart overwhelmed by longing. The ancient sages read this verse as the cry of Israel for the presence of the Holy One, the soul fainting for the touch of the Divine. The pressing of the raisin becomes a metaphor for the love that has been crushed and concentrated into a single, intoxicating gift. The Shulamite does not ask for bread or water; she asks for *ashishot* — the sweet, pressed essence of the vine. Jewish tradition holds that this love-sickness is the deepest prayer of the covenant people, a yearning that can only be satisfied by the embrace of the King. In this first taste, you are invited to see your own soul’s longing as a holy thing, a pressing that yields sweetness.
The Cup of David and the House of Israel
The second and third occurrences of *ashishah* appear together in 2 Samuel 6:19 and 1 Chronicles 16:3, where King David brings the Ark of the Covenant up to Jerusalem with great rejoicing. The text says that David gave to every man and woman in Israel a loaf of bread, a good piece of flesh, and a flagon (*ashishah*) of wine. Here the word transforms from a lover’s gift to a king’s provision for all the people. The pressing of the raisin becomes the portion of every soul in the assembly. The sages teach that this distribution was not merely a feast; it was a sign that the presence of the LORD had come to dwell among His people, and the sweetness of that presence was to be tasted by all. The flagon of wine, pressed from the fruit of the land, represented the joy of the covenant renewed. In this moment, David the king acts as a priest, giving the people the very substance of gladness. The Ark had been in exile, and now it returned; the pressing of the grape was the celebration of restoration. You are meant to see in this distribution that the King does not withhold the pressed sweetness from any who come to His house.
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The Flagon of Mourning Turned to Joy
The fourth and final occurrence of *ashishah* is found in Hosea 3:1, where the prophet is commanded to love a woman beloved of her friend yet an adulteress, even as the LORD loves the children of Israel. The text says, “Go yet, love a woman beloved of her friend, yet an adulteress, according to the love of the LORD toward the children of Israel, who look to other gods, and love flagons (*ashishot*) of wine.” Here the word takes on a bitter edge. The people of Israel are accused of loving the pressed sweetness of false worship, the intoxicating cups of idols. Yet the LORD’s command to Hosea is to love them still. The flagon, once a gift of joy in the Song of Songs and a provision of the King in David’s day, now becomes the symbol of Israel’s infidelity. The pressing that should yield sweetness for the Beloved has been given to strangers. But the rabbis of old observed that the very word used for their sin is the same word used for the King’s gift — because the LORD does not abandon the vessel of sweetness. Even when the flagon is profaned, the fruit of the vine remains holy. The early church understood this as a foreshadowing of the mercy that would come through the Messiah, who would take the pressed wine of His own life and turn the cup of mourning into the cup of salvation.
The Number of the Pressed Gift
The gematria of *ashishah* is six hundred and sixteen, a number that carries great weight in the Hebrew Scriptures. The rabbis of old meditated on this number, for it is the sum of the letters that spell a word of profound significance. Six hundred and sixteen is the value of the word *haTorah* with the definite article — “the Torah” — when counted with a particular method of the sages. But more directly, 616 is also the value of the word *ketonet*, the tunic of the High Priest, and the word *mashiach*, Messiah, when its letters are calculated in a certain way. The number 616 speaks of the pressing together of the Divine instruction and the anointed one. The tunic of the High Priest was woven without seam, pressed together by the hands of the craftsmen, just as the Torah is the pressed word of the LORD. The early church saw in this the seamless garment of Yeshua, the High Priest who was pressed for the sins of the people. Six hundred and sixteen is also the number of years from the birth of Isaac to the giving of the Torah at Sinai, according to the ancient reckoning — a journey from the child of promise to the covenant of fire. The pressing of the raisin yields a sweetness that is measured by the number of the covenant itself.
The Pressed Messiah and the Cup of the New Covenant
When you gaze upon the word *ashishah*, you see the shadow of the Messiah. In the Tanakh, the flagon of pressed sweetness was given to the beloved, distributed by the king, and profaned by the unfaithful. But in the Gospels, Yeshua takes the fruit of the vine and says, “This is My blood of the new covenant, which is shed for many.” The pressing of the grape at the wedding of Cana, the pressing of the raisin in the upper room — these are the fulfillment of the *ashishah*. The sages teach that the Messiah would be a man of sorrows, acquainted with grief, pressed as the olive is pressed for oil and the grape for wine. In Isaiah 63:3, the LORD says, “I have trodden the winepress alone, and of the people there was none with Me.” The pressing of the Messiah was solitary, yet the sweetness He yields is for all who will receive it. The flagon of joy that David gave to every man and woman in Israel is the cup that Yeshua offers to every soul who comes to His table. The early church understood that the Song of Songs’ cry for *ashishot* was the cry of the Bride for the Bridegroom, and that cry is answered in the breaking of the bread and the blessing of the cup. The pressing of His body and the pouring of His blood are the ultimate *ashishah* — the sweetness of love pressed out for you.
Your Portion of Pressed Sweetness
Beloved, the word *ashishah* is not a relic of ancient Israel; it is your portion today. You have been pressed by the circumstances of your life — by loss, by longing, by the weight of waiting. But the pressing is not the end. The LORD takes the crushed fruit of your days and forms it into a cake of sweetness, a flagon of joy for the journey. You are called to receive the pressed gift from the King’s hand, to taste that the LORD is good, and to offer your own pressed life back to Him. When you are sick with love for the Holy One, cry out for the *ashishot* of His presence. When you sit at the table of the Messiah, take the cup and remember that He was pressed for you. And when you look upon the wine of the new covenant, know that your own pressing is not in vain. You are being made into a gift of sweetness for the Beloved. Go now, and let the pressing of your soul yield the fragrance of the vineyard of the LORD.