Summary
Quick facts
- Strong’s Number
- H4210
- Original Word
- מִזְמוֹר
- Transliteration
- mizmôwr
- Pronunciation
- miz-more'
- Part of Speech
- noun masc
- Root / Etymology
- from H2167 (זָמַר);
- Frequency
- 57×
- Gematria
- 293
Where it appears
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Definition
Strong 1890properly, instrumental music; by implication, a poem set to notes
psalm.
from H2167 (זָמַר);

Commentary
Contributors: · · · ·
The Harp of the Heart
Beloved, have you ever felt a melody rising from your very bones when words alone would fail you? This is the mystery of mizmôwr, a word that appears fifty-seven times in the sacred scrolls, each occurrence like a string on David's harp. The root springs from zamar, which means not merely to sing, but to pluck, to strike, to prune away the dead branches of silence. A mizmôwr is not a quiet prayer whispered in the dark — it is instrumental music, a poem set to notes, the sound of a soul that has learned to make music even in the wilderness.
From the Root to the First Fruit
The sages teach that the Hebrew letters themselves carry the story. The mem in mizmôwr speaks of waters, of chaos made orderly. The zayin is a weapon, a sword that cuts. The resh is the head, the place of thought. So a mizmôwr is water that has been shaped by the sword of the Spirit into a vessel for the mind of God. The first time this word appears in Scripture, it comes with a wound. Turn to Psalm 3:1 — "A Psalm of David, when he fled from Absalom his son." Here is the king, anointed of the Lord, running from his own child. His throne is stolen, his honor stripped, his heart shattered. Yet from this place of utter desolation rises the first mizmôwr. The ancient Jewish tradition holds that a psalm born in betrayal carries a weight no hymn of ease can know.
The Pattern of the Sanctuary
In the Tabernacle, the Levites did not merely chant — they played upon instruments of bronze and wood and gut. The mizmôwr was the sound of sacrifice made beautiful. You must understand: the blood of bulls and goats was necessary, but the Lord also desired the music of a contrite heart. When the Temple stood, the mizmôwr accompanied the morning and evening offerings. The rabbis of old observed that a psalm without a melody is like a body without breath. Every mizmôwr in the book of Psalms is a small sanctuary, a tent of meeting where heaven and earth touch through the vibration of string and voice.
The Journey Through the Canon
As you travel through the Tanakh, you find mizmôwr woven into the fabric of Israel's story. It appears in the superscriptions of David, Asaph, the sons of Korah — each one a different color in the tapestry of worship. In Psalm 30, it is a song for the dedication of the house. In Psalm 92, a mizmôwr for the Sabbath day. The word does not change its meaning, but its context deepens. By the time you reach the later psalms, mizmôwr has become the sound of exile itself — a melody sung by a people who refused to hang their harps on the willows. The early church understood that this word carried the echo of the Spirit's own intercession, a groan too deep for words made audible through music.
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The Gematria of 293
The numerical value of mizmôwr is two hundred and ninety-three. In the Hebrew understanding, numbers are not abstract — they are fingerprints of divine order. Two hundred and ninety-three reduces to two plus nine plus three, which is fourteen. Fourteen is the number of David in the generations, the number of the Passover lamb prepared on the fourteenth of Nisan. But more directly, the sages have noted that 293 is the same value as the Hebrew word for "He will be gracious" — yachon. Is this not the heart of every psalm? A cry for grace, a plea for mercy, a song that dares to believe that the One who made the ear can hear the harp. The number teaches you that every mizmôwr is an act of faith that grace will answer.
The Messianic String
Now, beloved, listen closely. When our Master Yeshua walked among us, He sang the mizmôwr. On the night He was betrayed — a son betrayed by a kiss, not a son fleeing from a father but the Son abandoned by His own — He sang the Hallel psalms. The apostolic tradition teaches that the very word mizmôwr finds its ultimate fulfillment in Him who is the Word made flesh. David's psalms were shadows; Yeshua is the substance. He is the true Singer who turned Gethsemane into a sanctuary, the true King who made His cross the harp upon which the melody of redemption was played. Every mizmôwr points to the One who could say, "My God, my God," and still make music.
Your Harp, Your Song
So I ask you now: what is the mizmôwr of your life? You may not be a Levite, you may not know the notes, but somewhere in the depth of your being there is a string that only the Spirit can pluck. Perhaps today you are fleeing from an Absalom of your own — a broken relationship, a shattered dream, a betrayal that has cut to the quick. Do not silence the music. Let the grief become a psalm. Let the anger be tuned, let the tears become the water that shapes your song. Take up the instrument of your heart and make a mizmôwr to the God who hears. For the Lord does not require perfection of melody, only the honesty of a soul that trusts Him enough to sing in the dark. May your life become a psalm that others can hear, and may the string never break until you see the Singer face to face.