Summary
Quick facts
- Strong’s Number
- H1993
- Original Word
- הָמָה
- Transliteration
- hâmâh
- Pronunciation
- haw-maw'
- Part of Speech
- verb
- Root / Etymology
- a primitive root (compare H1949 (הוּם));
- Frequency
- 34×
- Gematria
- 50
Where it appears
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Definition
Strong 1890to make a loud sound (like English 'hum'); by implication, to be in great commotion or tumult, to rage, war, moan, clamor
clamorousconcoursecry aloudbe disquietedloudmournbe movedmake a noiserageroarsoundbe troubledmake in tumulttumultuousbe in an uproar.
a primitive root (compare H1949 (הוּם));

Commentary
Contributors: · · · ·
The Voice That Shakes the Heavens
When the earth itself begins to groan, when the waters roar and the nations tremble, there is a sound that precedes all such commotion — a sound that is both the cause and the cry. The Hebrew verb hâmâh appears thirty-four times in the Tanakh, and each occurrence carries the weight of a soul or a world in upheaval. This is not a gentle murmur; it is the deep, resonant hum of creation in travail, the clamor of a heart that can no longer contain its passion. The first time this word escapes the lips of the Holy One, you find it not in a whisper but in a prophetic declaration that sets the mountains to trembling. The ancient sages teach that every sound has a root in the silence of heaven, and hâmâh is the breaking of that silence into the chaos of human experience. It is the verb of the Spirit moving upon the face of the waters — not yet ordered, but already alive with the voice of God.
The First Rumbling: God's Action in Creation and Covenant
The first divine action tied to hâmâh appears not in Genesis but in the prophetic oracles, where the Lord declares, “I will roar from Zion, and from Jerusalem I will utter My voice” — the same root that speaks of a lion’s hâmâh before the prey. In the Qal stem, this verb describes a simple, intense sound: the groaning of a mother in labor, the roaring of the sea, the tumult of a city under siege. But when God is the subject, the sound becomes a covenant-making force. Jewish tradition holds that when the Lord hâmâh, the foundations of the earth are shaken, for His voice is not a noise among noises — it is the original hum that called light from darkness. In the covenant at Sinai, the people heard the hâmâh of the shofar growing louder and louder, a sound that made them tremble. Here the verb reveals a God who does not merely speak but resonates through the fabric of reality, and His people are called to respond with their own hâmâh — the cry of the heart that answers His roar.
The Human Tumult: When the Heart Moans and Rages
When humans perform the action of hâmâh, the word takes on a darker hue. The psalmist cries out, “My heart is hâmâh within me; the terrors of death have fallen upon me” — a disquieted soul that cannot find rest. The KJV translators rendered this as “be disquieted” or “troubled,” but the Hebrew carries the image of a city in uproar, a crowd clamoring in the streets. In the Niphal stem, the verb becomes passive: the soul is made to roar, as if caught in a storm not of its own making. The rabbis of old observed that the human heart was designed to hum with the music of the Shema, but sin has turned that melody into a cacophony of fear and rage. You see this in the book of Psalms, where the righteous lament that their enemies hâmâh like the roaring of many waters — a sound of chaos that threatens to drown the faithful. Yet even in this, there is a pattern: the human hâmâh is never autonomous; it echoes either the groan of creation under the curse or the cry of redemption waiting to be born.
The Temple Silence and the Festival Roar
In the Tabernacle and Temple, the pattern of hâmâh was both forbidden and commanded. The Holy of Holies was a place of absolute stillness, where no human sound could enter — only the silent hum of the Almighty dwelling between the cherubim. Yet on the festivals, particularly during Sukkot, the people were commanded to make a joyful noise, a hâmâh of praise with lulav and etrog, with shouts that echoed through the courts. Jewish tradition teaches that the sound of the shofar on Rosh Hashanah is a hâmâh that awakens the sleeping soul, a cry that breaks through the silence of judgment. The verb appears in the description of the jubilee year, when the trumpet sounds and liberty is proclaimed — a hâmâh that releases captives. Here you see the covenant hinge: Israel’s obedience was measured by whether their hâmâh was the roar of rebellion or the shout of trust. When they murmured in the wilderness, their hâmâh was a clamor of complaint; when they shouted at the fall of Jericho, their hâmâh became an instrument of divine victory.
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The Gematria of Fifty: The Door of Redemption
The numerical value of hâmâh is fifty, a number that pulses with the rhythm of release and restoration. Fifty is the year of Jubilee, when the land returns to its original owners and every slave goes free. It is also the day of Pentecost, when the hâmâh of a mighty rushing wind filled the house where the disciples were gathered. The ancient sages taught that fifty represents the door of understanding — the gate through which the soul passes from bondage to liberty. When you consider that hâmâh carries the value of fifty, you begin to see that every roar of the heart, every tumult of the nations, every groaning of creation is a cry for the Jubilee that only the Messiah can bring. The number itself is a promise: the noise of chaos will not have the final word, for the sound of redemption is louder still.
The Messiah's Roar: Yeshua and the Fulfillment of Hâmâh
When you turn to the Gospels, you find that Yeshua fulfills every dimension of hâmâh. He is the Lion of the tribe of Judah whose roar shakes the tombs open at His death — the earth itself hâmâh as the veil of the Temple is torn. But He also takes upon Himself the human hâmâh: at the grave of Lazarus, He groans in the spirit and is troubled, a hâmâh of compassion that becomes the prelude to resurrection. The apostolic tradition teaches that on the cross, Yeshua cried out with a loud voice, a hâmâh of abandonment that fulfilled the psalmist’s lament, “My God, my God, why have You forsaken me?” Yet that same cry became the roar that defeated death. In the Tanakh, the prophet Zephaniah declares that the Lord will rejoice over His people with singing — a hâmâh of joy that silences every accusation. Yeshua is that singing made flesh, the Word who was in the beginning, whose hâmâh created the worlds and whose final roar will usher in the new heavens and the new earth.
The Call to Your Own Hâmâh
You have been given a voice that can either join the tumult of chaos or the roar of redemption. The thirty-four occurrences of hâmâh in Scripture are not mere data — they are invitations. When your heart is disquieted within you, when the noise of the world threatens to drown the still small voice, remember that your hâmâh is heard by the One who first hummed the stars into existence. The ancient sages say that every human breath is a letter in the divine Name, and every groan of the soul is a prayer that ascends to the throne. So let your hâmâh be the cry of the bride for her Bridegroom, the shout of the exile for the Jubilee, the roar of faith that refuses to be silenced. The sound you make today — whether in sorrow or in joy — is part of the great symphony that will end not in chaos, but in the song of the Lamb. Let it rise.