What is the meaning of Exodus 39?
Introduction to Exodus 39
Exodus 39 stands as a masterful demonstration of sacred craftsmanship and meticulous attention to divine detail in the construction of the priestly garments. This chapter provides an intricate description of how Bezalel, Oholiab, and their skilled craftsmen created the sacred vestments for Aaron and his sons, following the exact specifications given by יהוה (Yahweh) to Moses on Mount Sinai. The precision and repetition in this chapter underscore the supreme importance of obedience in worship and service to the Holy One of Israel.
The recurring phrase “as יהוה commanded Moses” appears seven times in this chapter, emphasizing the fundamental principle that true worship must align precisely with divine instruction. This chapter serves as a bridge between the giving of the Law and the establishment of the tabernacle service, showing how divine blueprints become sacred reality through faithful human hands.
Context of Exodus 39
This chapter falls near the conclusion of the book of Exodus, serving as part of the extended narrative describing the construction of the Tabernacle and its furnishings (Exodus 35-40). It specifically follows the detailed account of gathering materials and crafting various tabernacle components, focusing on the priestly garments that would be essential for proper worship service.
Within the broader biblical narrative, Exodus 39 represents a pivotal moment in Israel’s journey from slavery to sacred service. The Israelites have moved from building pyramids for Pharaoh to crafting sacred garments for יהוה’s priests – a powerful symbol of their transformation from slaves to a kingdom of priests. This chapter also foreshadows the more permanent Temple worship that would later be established in Jerusalem, while simultaneously pointing forward to the ultimate High Priestly ministry of the Messiah as described in Hebrews 8:1-2.
The positioning of this chapter just before the actual assembly of the Tabernacle (Exodus 40) is significant, as it demonstrates how the priests needed to be properly attired before they could begin their sacred service. This principle of proper preparation before divine service echoes throughout Scripture, from the Garden of Eden to the New Jerusalem.
Ancient Key Word Study
- Ephod (אֵפוֹד): This sacred vestment, mentioned prominently in verses 2-7, comes from the root word meaning “to bind” or “to gird.” The ephod served as the foundation garment for the High Priest’s most important ceremonial duties. Its construction from gold, blue, purple, and scarlet yarns with fine twisted linen represented the melding of heavenly and earthly elements in the priest’s mediatorial role.
- Woven (חֹשֵׂב): The term used in verse 3 describes not just simple weaving but artistic design work. The root word implies deep thought and planning, suggesting that the craftsmanship itself was a form of worship requiring mental and spiritual engagement.
- Onyx Stones (אַבְנֵי־שֹׁהַם): These precious stones mentioned in verse 6 were traditionally believed to be black or dark green. The root word suggests a stone that captures and reflects light, symbolizing how the priests were to reflect God’s glory to the people.
- Engraved (פִּתּוּחֵי): Used in verse 6, this term comes from a root meaning “to open up” or “to set free.” The engraving of names on stones represented more than identification – it symbolized the opening of a channel of blessing between God and His people.
- Breastpiece (חֹשֶׁן): Appearing in verses 8-21, this word possibly derives from a root meaning “to contain” or “to hold,” appropriate for an item that contained the Urim and Thummim used for divine guidance.
- Settings (מִשְׁבְּצֹת): The term in verse 13 refers to gold filigree settings but comes from a root meaning “to weave” or “to interlock,” suggesting the interconnected nature of the priest’s responsibility to both God and people.
- Pomegranates (רִמֹּנֵי): Mentioned in verse 24, these decorative elements symbolized fruitfulness and blessing. The Hebrew word is related to “uprising” or “exaltation,” suggesting spiritual elevation.
- Pure (טָהוֹר): Used multiple times regarding the gold, this term goes beyond physical purity to indicate ritual and moral cleanness, emphasizing the holiness required in divine service.
- Bell (פַעֲמֹן): The golden bells in verse 25 come from a root meaning “to strike” or “to move,” symbolizing the active nature of priestly service and the continuous witness of their ministry.
- Holy to יהוה (קֹדֶשׁ לַיהוָה): This phrase engraved on the golden plate (verse 30) represents complete consecration. The term “holy” (קֹדֶשׁ) means “set apart” or “distinct,” emphasizing the unique nature of priestly service.
Compare & Contrast
- Verse 1 begins with “From the blue, purple, and scarlet yarns…” rather than listing gold first (as in previous chapters). This ordering emphasizes the symbolic colors of heavenly service (blue), royalty (purple), and sacrifice (scarlet) before mentioning the precious metals, suggesting that spiritual values precede material worth in God’s economy.
- The phrase “as יהוה commanded Moses” in verse 5 could have been shortened to “as commanded” but is repeated in full seven times to emphasize the divine origin and authority of every detail. This repetition creates a liturgical rhythm that underscores the sacred nature of the work.
- In verse 6, the names of Israel’s sons are engraved on onyx stones rather than written with ink, symbolizing the permanence of Israel’s covenant relationship with יהוה. The Hebrew verb “to engrave” (פָּתַח) was chosen over “to write” (כָּתַב) to emphasize this permanence.
- The breastpiece’s construction (verses 8-21) mirrors the ephod’s materials but adds precious stones, suggesting that while the priest’s authority (ephod) comes from God, his heart (breastpiece) must carry the people before God.
- The robe’s hem (verses 24-26) alternates pomegranates with bells rather than using just one or the other. This specific pattern creates a harmony between visible fruit (pomegranates) and audible testimony (bells) in priestly service.
- The plate inscription “Holy to יהוה” (verse 30) uses the divine name rather than a title like Elohim, emphasizing the personal covenant relationship between God and His priests.
- The final inspection (verses 32-43) uses military inspection terminology, highlighting the serious nature of preparing for divine service.
Exodus 39 Unique Insights
The rabbinical tradition finds profound significance in the seven-fold repetition of “as יהוה commanded Moses” in this chapter. The Midrash Rabbah connects these seven instances to the seven days of creation, suggesting that the making of the priestly garments was considered a kind of new creation – transforming ordinary materials into vessels of divine service.
The early church father Origen saw in the High Priest’s garments a prefiguring of the Messiah’s incarnation. He particularly noted how the mixing of gold threads with colored yarns (verse 3) represented the joining of divine and human natures in the person of Yeshua. This interpretation gains additional weight when we consider that the Greek Septuagint uses the term λόγος (logos) to translate the Hebrew חֹשֵׁב (skillfully worked), the same term used in John 1:1 to describe the divine Word becoming flesh.
The Jewish mystical tradition finds significance in the fact that the ephod and breastpiece were joined by gold chains and rings. The numerical value (gematria) of the Hebrew words for these fasteners equals 318, the same as the word for “life-giving” (מחיה), suggesting that the priest’s service was meant to bring spiritual life to Israel.
The Talmud (Zevachim 88b) associates each of the High Priest’s garments with atonement for specific sins: the tunic atoned for bloodshed, the trousers for sexual immorality, the turban for arrogance, and so forth. This understanding adds layers of meaning to the New Testament’s description of Yeshua as our Great High Priest who “offered for all time a single sacrifice for sins” (Hebrews 10:12).
Exodus 39 Connections to Yeshua
The elaborate priestly garments described in this chapter find their ultimate fulfillment in Yeshua the Messiah, our Great High Priest. Just as Aaron bore the names of Israel’s tribes on his shoulders (the place of strength) and over his heart (the place of love), Yeshua bears our names before the Father with both power to save and compassionate love. The book of Hebrews makes this connection explicit, describing Yeshua as “a high priest forever after the order of Melchizedek” (Hebrews 6:20).
The golden plate inscribed with “Holy to יהוה” foreshadows how Yeshua would be “holy, innocent, unstained, separated from sinners, and exalted above the heavens” (Hebrews 7:26). The bells and pomegranates on the hem of the robe, which announced the High Priest’s movements and symbolized fruitfulness, point to how the Messiah’s ministry would both proclaim God’s presence and produce abundant spiritual fruit in believers’ lives.
The perfect obedience demonstrated in making these garments “as יהוה commanded Moses” finds its ultimate expression in Yeshua, who declared, “I have come down from heaven, not to do My own will but the will of Him who sent Me” (John 6:38).
Exodus 39 Scriptural Echoes
The attention to detail and divine specifications in this chapter echoes the creation account in Genesis 1, where God brought order from chaos according to His perfect plan. This parallel suggests that the priestly garments were part of a new creation, establishing order in Israel’s worship life.
The precious stones on the breastpiece recall the stones in the Garden of Eden (Ezekiel 28:13) and anticipate the foundations of the New Jerusalem (Revelation 21:19-20). This connection spans the Bible’s narrative from paradise lost to paradise restored.
The phrase “Holy to יהוה” engraved on the golden plate connects to the future prophecy in Zechariah 14:20, where even ordinary objects will bear this inscription, suggesting a time when all of life will be consecrated to God.
The careful inspection and approval of the completed work (verses 32-43) parallels God’s evaluation of creation as “very good” (Genesis 1:31) and anticipates the final judgment when all our works will be examined (1 Corinthians 3:13).
Exodus 39 Devotional
This chapter challenges us to consider the quality and intentionality of our service to God. Just as every thread and stone in the priestly garments was specifically chosen and carefully placed, we should examine whether we are serving God according to His instructions rather than our own preferences or convenience.
The repeated phrase “as יהוה commanded Moses” reminds us that true worship isn’t about creative innovation but faithful obedience. In our modern context, while we have freedom in many aspects of worship, we must remain grounded in God’s revealed will through Scripture.
The beautiful materials and intricate craftsmanship teach us that offering our best to God isn’t about impressing others but about expressing love and reverence for Him. This challenges us to examine our motives in service and give God our finest efforts in whatever we do.
The priestly garments were designed to remind both the priest and the people of their covenant relationship with God. Similarly, we should consider how our daily choices and actions either reflect or obscure our identity as God’s people to those around us.
Did You Know
- The gold used in the priestly garments was beaten into thin threads by hand – an incredibly labor-intensive process that required hammering gold into sheets approximately 0.2 millimeters thick before cutting it into threads.
- The blue dye (תְּכֵלֶת) used in the garments came from a specific species of snail found in the Mediterranean Sea. It took approximately 12,000 snails to produce 1.4 grams of dye.
- The High Priest’s garments contained 72 bells and 72 pomegranates, with the number 72 corresponding to the traditional number of Divine Names in Jewish mystical tradition.
- The twelve stones in the breastpiece were arranged in four rows of three, possibly reflecting the camp arrangement of Israel’s tribes in the wilderness.
- The term translated as “skillfully worked” (חֹשֵׁב) in verse 8 is related to the modern Hebrew word for “computer” (מַחְשֵׁב), both sharing the root meaning of “to think” or “to calculate.”
- The total weight of gold used in the priestly garments would have been approximately 30 kilograms, worth over $1.8 million in today’s values.
- The purple dye used in the garments was so expensive in ancient times that it was worth more than its weight in gold, leading to laws in some societies restricting its use to royalty.
- The inscription “Holy to יהוה” on the golden plate was believed by some rabbinical sources to be miraculously engraved all the way through the metal while remaining readable from both sides.
- The pomegranates on the hem of the robe were hollow, according to traditional Jewish sources, symbolizing the idea that even empty vessels can serve a holy purpose.
- The breastpiece was folded double to create a pocket for the Urim and Thummim, mysterious objects used for determining God’s will that are never fully described in Scripture.